So You Want to Be a Novelist? Advice for Writers from a Successful Author

July 14, 2009

Jennifer Weiner knows a thing or two about writing and publishing. Author of bestselling novels Good in Bed and In Her Shoes (yep, the one that inspired the movie staring Cameron Diaz) , as well as her most recent release Best Friends Forever (released today),  she offers a bit of helpful advice for aspiring authors on her Web site.

Here are a few of the highlights from her article on writing and publishing:

Write to Please Yourself

Tell the story that’s been growing in your heart, the characters you can’t keep out of your head, the tale story that speaks to you, that pops into your head during your daily commute, that wakes you up in the morning. Don’t write something just because you think it will sell, or fit into the pigeonhole du jour. Tell the story you want to tell, and worry about how to sell it later.

Get a Dog

Okay, you’re thinking, what does getting a dog have to do with becoming a writer? More than you’d think. Writing is about talent and creativity, but it’s also about discipline – about the ability to sit yourself down in that seat, day after day. … Being a dog owner requires a similar form of discipline. You wake up every morning. You walk the dog. You do this whether you’re tired, depressed, broke, hung over, or have been recently dumped. You do it.

Get Published

If a tree falls in the forest and nobody hears, has it really fallen? If a writer writes poems and short stories and novels, but nobody ever reads them, is she really a writer? Nope. If you want to be a writer, you’ve got to bear the slings and arrows of outrageous fortune (not to mention evil reader reviews on amazon.com). You’ve got to put your stuff out there for the world to see, and fall in love with, or revile. In short, you’ve got to get published.

Read

Read everything. Read fiction and non-fiction, read hot best sellers and the classics you never got around to in college. Read men, read women, read travel guides and Harlequins and epic poetry and cookbooks and cereal boxes, if you’re desperate. Get the rhythm of good writing in your ears. Cram your head with characters and stories. Abuse your library privileges. Never stop looking at the world, and never stop reading to find out what sense other people have made of it. If people give you a hard time and tell you to get your nose out of a book, tell them you’re working. Tell them it’s research. Tell them to pipe down and leave you alone.

Excerpts are from Jennifer’s full article, which you can read here: http://jenniferweiner.com/forwriters.htm.

Want to learn more? Read Jennifer Weiner’s blog: http://jenniferweiner.blogspot.com/

Can you relate to any of the tips here? Do you have any of your own tips or advice? Please share …

-Angie

Entry Filed under: Publishing, Reading & Writing. Tags: , , , , , , , , , .

2 Comments Add your own

  • 1. Twitted by rileymagnus  |  July 14, 2009 at 3:17 pm

    [...] This post was Twitted by rileymagnus [...]

    Reply
  • 2. Obozy Studenckie  |  July 15, 2009 at 4:53 am

    Also when you have a dog you’ll at least have a reason to get outside from time to time. And it’s pretty important once you really get into writing.get into

    Reply

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Note taking time…Pop in a DVD and turn the volume completely down. You may try it with a movie you are familiar with and already know the underlying tone and can then pay close attention to the details that help create it. Or, adventurously try a new movie and feel your way through each scene. Either way, write the unspoken elements that contribute to the overall tone of each scene. Look for patterns. When the movie is over, go back to your latest scene and refresh it using some of your newly discovered special effects. (1-29-10)

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Improve your author voice by watching — watching movies. Movies cram as much narrative, spoken and unspoken, into a frame as possible. Pay close attention to the unspoken elements. Look for what is happening in the frame overall — the use of colors, set design and lighting. The invisible art of cinema wordlessly evokes emotion and is the voice of the scene or film. Try applying the tonal techniques of master filmmakers to your writing. If you can do that, you’ll control the invisible — yet critical — art of emotionally moving people. (1-29-10)

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